I’m working in the studio again after a three month hiatus which came about willy-nilly then unfolded due to, well, yes, you guessed it: Life. First, an unexpected family surgery in early December reset my priorities and simplified life to its minimalist best through the end of January. One day at a time. Then, of course, the snow began to fly here in New England. One day at a time.
Today, with family health restored and better than ever, lots of snow on the ground yet sidewalks and roadways clear and dry, and creative longing in my heart, I returned to The Button Factory studio. What a huge hug Darlene and I gave each other this morning! Three months is a long time be be away from the studio. Three months has been a long time away from “my girls”: the Seacoast Women series I began last summer. I could not even remember where I left off. Once I unzipped my portfolio, I began pulling out the quarter sheet and half sheet pieces I’d been working on. Then I removed the lid from the storage box where the full sheet pieces have been nesting. I took my time pinning up each piece to the big moveable board until the entire surface was chock-a-block full of color, line, and summer spirit. You can see for yourself what I saw today in the photo I snapped.
Yes, it’s been a long winter. No matter. I feel very lucky. Very lucky indeed. We have about three more weeks until the official start of Spring (March 20). Meanwhile I’m having a blast with “my girls” and am once again in the zone. Stay tuned.
The Guide. Printed and sold years ago. I love this piece every time I look at it. Really touches a chord in my heart strings. Still.
We’re well into 2015! Happy New Year. While temps certainly are cold these days, I’m warming up with a burst of color: View from Above, one of the monotypes I printed in 2014 at The Button Factory here in Portsmouth, New Hampshire.
I was just looking at this color monotype, Twin Spirits (II), which I printed last year (2013) at The Button Factory. Her beautiful eyes look directly into our eyes. She looks content, calm, peaceful. A good way to start this holiday season, it seems to me. Monotpe really is a magical medium.
Completed Lynne Crocker’s wonderful Hand Bookbinding class at The Button Factory in Portsmouth a couple of weeks ago. So much fun! Never ever will I look at a book in the same way I did prior to this class. Now I see a whole new world in a single volume: paper grain, signatures, smooth and rounded spines, headcaps and headbands, board papers, mitred corners and more. Don’t you just love it? In class, we hand bound three different types of books: a single signature book with folded cover, an accordian book with paste paper cover (we made the paste paper), and an eight signature case-bound book. Beginning now and continuing through this winter I’ll continue the new body of work I began printing this summer (Seacoast Women), plus will begin combining monotypes, writing and hand bookbinding.
September and the unofficial beginning of autumn is here! This is my favorite season. While I knit continuously throughout the year, autumn brings with it an extra yen for all things warm, cozy and made with love by hand.
Most every Wednesday between 10 a.m. and 12 Noon, including today, I can be found knitting at Sit ‘n’ Stitch which takes place in the second floor conference room at the Portsmouth Public Library. I’m currently practicing Fair Isle knitting. Am making two pillow covers. This photo shows the square pillow cover which I’ve finished knitting, pinned and am ready to block. Front: Fair Isle pattern. Back: Basketweave stitch in dark heather. Now knitting second pillow cover which is rectangular and different yet complimentary to the first. Pattern is from The Very Easy Guide to Fair Isle Knitting by Lynne Watterson (Copyright 2012).
Perhaps one day I’ll design and knit one of my own Fair Isle inspired patterns. Who knows?
“Everything will be better when the little flowers bloom in the spring.” This is my Mom’s favorite refrain when times are difficult and life looks dark and bleak. Yes, indeed, it’s been a long, cold, snowy winter here in New England as well as in other parts of the country. “Everything will be better when the little flowers bloom in the spring” also is the title of one of the monotypes I printed this winter which I learned yesterday has been accepted into the New Hampshire Art Association’s 28th Annual Omer T. Lassonde Open Juried Exhibition. The juror for this show is Ron Crusan, Executive Director and Curator of Exhibitions and Collections at the Ogunquit Museum of American Art in Ogunquit, Maine. Come one, come all to the Opening Reception this Friday, April 4, 5-8 p.m. at the Robert Lincoln Levy Gallery, 136 State Street, in Portsmouth. It’s been a long winter, and spring is in the air!